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Lo Fingido Verdadero (Acting is Believing) [Michael D. McGaha, Lope de Vega] on *FREE* shipping on qualifying offers. “Lo fingido verdadero de Lope de Vega.” Dir. Claudio Hochman. Comedia Performance: Journal of the Association for Hispanic Classical Theater Lope de Vega, “Lo fingido verdadero. Acting is Believing”, trans. Michael D. McGaha (Book Review). J. M. RUANO DE LA HAZA.

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In this latter venture into the field of translation, we are presented with a fine version of Lope de Vega’s Lo fingido verdadero. Entry written by Kathleen Jeffs. It is a vigorous and lively translation written with an eye on a contemporary audience who may wish to see it performed. In lieu of an abstract, here is a brief excerpt of the content: Revista de critica literaria, in Spanish. His pronouncements on theory parallel and even paraphrase, according to McGaha, Lope’s Arte nuevo.

During the last few years, a growing number of translations of lesser known Spanish Golden Age plays have appeared on both sides of the Atlantic. It is truly a fine introduction to the comedia, to the playwright and to a play that he sees as an ideal introduction to Lope’s art. Bulletin of the Comediantes.

Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. Contact Contact Us Help. This is an assessment that should be taken into account in the debate between those who see Lope as protagonist for the existing regime and those who would move away from such a view explaining that his plays embody the tensions and contradictions inherent in his society.


Diocletian, having enjoyed the first play, hears that Genesius is an even better actor when playing the part of a Christian, so he orders the troupe to perform again. In Vefdadero de Lope de Vegaed.

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In A Companion to Lope de Vegaeds. It is the Spanish Golden Age play that best exemplifies fjngido world-as-stage metaphor brought to life onstage. Acting is Believing review Frederick A. Turning to the historical background of the play, the translator is able to discuss at length the political implications of the work.

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Genesius, executed by the emperor Diocletian for converting to Christianity after portraying a Christian in a play to entertain the Emperor. Based on the story of St.

Please log in or sign up for a free account. Once they return, they reveal that they have been married, but Genesius still hopes to win her back. Finding her impervious to his advances, Genesius is hopelessly in love and distraught. Project MUSE Mission Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.

Lo fingido verdadero – Wikipedia, la enciclopedia libre

Emilio Cotarelo verdarero Mori, vol. There are occasions when the vigor and modernity of the translation obscures the grace and subtlety of the original, but these are few. The next in line to be emperor, Numerianus, is murdered by Aper, who desires the throne. You must be logged in to post a comment. It is the story of St. You must be logged in to add kope. After considering fingiro date of composition, McGaha goes on to discuss dramatic theory as reflected in the play, for Lope here departs from tradition by making Lpe, the lead character, a playwright as well as an actor.


Book titles OR Journal titles. Trinity University Press, Genesius dies impaled on a pole, and he remains a devoted Christian in his dying monologue, while his acting troupe redistribute the roles and plan how they will carry on performing vsga him. Diocletian asks Genesius if he is really acting or if he has indeed converted to Christianity, and Genesius becomes ever more impassioned in his love for Christ. McGaha’s introduction is a model of succinctness, readability and accuracy.

Lope dramatises the relationship between religious experience and role play by fusing them into one. In response to this treachery, Diocletian kills Aper, and is crowned the next emperor. Without cookies your experience may not be seamless. Lo fingido verdadero c.

Trinity University Press has assumed a leading role in publishing new translations using the expertise of David Gitlitz, Matthew Stroud and now Michael D. Alexander Samson and Jonathan Thacker, pp.

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Lo fingido verdadero

Last updated on 4 October It is produced in a clear style loope crisp language that makes reading easy without sacrificing accuracy.

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A selective bibliography follows the introduction.


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